
Fredagens tredje konsert under FRIM Fall 2026.
Dörrar: 18.30
Festivalstart: 19.00 båda dagarna.
Hz of Gold:
Andrea Parkins, electronics, accordion & wurlitzer;
Frank Gratkowski, saxophones, flutes & clarinets;
Devin Gray - drums & percussion & herz
Biljetter finns på Tickster.
Med stöd av Kulturrådet, Region Stockholm & Stockholm Stad.
Hz of Gold delivers an immersive experimental listening experience where electronic processing, extended instrumental techniques, and collective compositional improvisation shape the music’s modern emotional frequencies—appealing especially to fans of avant-garde jazz and electro-acoustic inspired magnetic improvisation.
Listen for abstract soundscapes and noise-infused textures by way of live sample processing, extended techniques, micro-tonal longitudinal wave bends, subtle compositional leads, and non-idiomatic dynamic improvisations. Their free-flowing rhythmic punctuational exchanges push the music’s frequencies ahead with energy and coloristic effects. This trio is made of 3k Megahertz of Gold.
Devin Gray, Andrea Parkins and Frank Gratkowski first started playing as a unit in the Berlin underground scene. Since 2015 they have continued to hold highly inspired biyearly trio appearances. Their joyful collective experiences as modern global human musicians and artistic experimentalists allows their creativity to flow like currents.
Andrea Parkins: electronics, accordion & wurlitzer
Frank Gratkowski: saxophones, flutes & clarinets
Devin Gray: drums & percussion & herz
Andrea Parkins is a Berlin-based electroacoustic performer, composer and sound artist who engages with electronics as both material and dynamic process. Activating an array of sonic sources – acoustic and electronic instruments, amplified objects and surfaces; electronic feedback, and custom-built software and hardware – her work explores connections and slippages between the body, material, sound, site, and space.
Parkins’ projects include performances, compositions, spatial audio and intermedia installations, and scores for contemporary dance, experimental film and intermedia performance. Her work has been presented at the Whitney Museum of American Art, Experimental Intermedia (NYC), Kunsthalle Basel, Borderline Festival/Athens, FIMAV (Victoriaville), NEXT/Bratislava, and Festival Unlimited/Wels, among others.
Parkins has long been known for her pioneering approach as an improvisor, through which she combines her electronically-processed accordion’s textures and timbres with bursts of electronic feedback, Foley’ed object sounds, and live-processing from her custom-built instruments.
Frank Gratkowski was born in Hamburg in 1963 and studied at the Cologne University of Music and Dance. He has extended his instrumental skills to include almost the entire spectrum of woodwind instruments, including flutes. He works intensively on tonal extensions and modifications of his instruments in solo projects and small formations using unorthodox playing techniques and microtonal concepts, some of which he has developed himself. As a bandleader and composer, he traverses the broad context of contemporary improvised music. There is no clear distinction between composition and improvisation in his work.
Under his own name, Frank Gratkowski has released around 50 CDs, as a sideman he has been involved in an unknown number of additional productions. In 2005 he received the prestigious SWR Jazz Prize.
Frank Gratkowski lives in Berlin. He has taught at conservatories in Arnhem, Hanover, Berlin and currently Cologne, and has extensive international experience as a university lecturer and workshop leader.
Devin Gray is a distinguished drummer, composer, bandleader and producer known for his innovative contributions to contemporary jazz. Since relocating to New York City in 2006, Gray has become a prominent figure in the jazz community, collaborating with esteemed musicians such as David Liebman, Gary Thomas, Tony Malaby, and Kris Davis. He currently divides his time between Brooklyn and Berlin, engaging with diverse musical scenes.
Gray’s discography as a leader showcases his versatility and commitment to pushing musical boundaries. His debut album, “Dirigo Rataplan” (2012), featured notable artists Ellery Eskelin, Dave Ballou, and Michael Formanek, and was praised for its complex and intimate compositions.
Throughout his career, Gray has maintained a dynamic presence in the international jazz scene, performing at venues and festivals worldwide including Jazzfest Berlin 2024. His collaborations span a wide range of artists, including Sylvie Courvoisier, Tim Berne, Michael Formanek, Zoh Amba, and Micah Thomas, among others. As a sideman, he has contributed to projects with Andrea Parkins, Satoko Fujii, Marc Ducret, and Eve Risser, showcasing his adaptability and commitment to musical innovation.
Gray’s work is characterized by a relentless pursuit of quality and sincerity, as well as an exciting energy that propels him toward diverse musical directions. His compositions are noted for their complexity and engagement, often described as both brainy and intimate. As he continues to evolve as an artist, Devin Gray remains a compelling force in modern jazz, sharing his unique musical vision with audiences around the world.

