FRIM på Rönnells #2 Jennifer
Floris Vanhoof

Sept 1
Rönnells Antikvariat
Birger Jarlsgatan 32
Tickets: 100/80 kr
Doors: 18:30, 1st set: 19:00

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Jennifer Torrence - Synthesizers, samples, feedback, noise, percussion

Jennifer Torrence is an Oslo-based percussionist, performer, artistic researcher, curator, teacher. Her practice explores themes such as the body, noise, precariousness, queerness, and collective making. She has performed in diverse settings in twenty-four countries across four continents. In addition to solo projects she is a member of Pinquins. She is an artistic researcher and (from Autumn 2022) Associate Professor II at the Norwegian Academy of Music.
She will perform a solo-in-progress made by/with Øyvind Torvund. Synthesizers, samples, feedback, noise, percussion. Tonight’s version is a solo version of a larger work for orchestra and improvising soloist, which will premiere with the Norwegian Radio Orchestra in October.

Floris Vanhoof - Electronics, video projections

Floris Vanhoof (°1982, lives and works in Antwerp, Belgium)
is interested in the hybrid forms of music, visual art, and film.
His first projections -experimental films on 16 millimeter- evolved towards purely visual experiences which questioned our viewing patterns.
Inspired by structural film and early electronic music, he builds installations, creates expanded cinema performances, and releases his music.
Vanhoof makes his own instruments to explore the border between image, light, and sound.
As media-archaeologist, he confronts the digitally-spoiled audience with flickering 16mm films and 35mm slide installations - formats doomed to disappear.
He often chooses analog technology because of the greater transparency of the workflow, and because of its rich dynamic range. Cut loose from all nostalgia, he experiments with what used to be considered "hightech."
Vanhoof searches for new ideas with old media. He translates sound to image and vice-versa by connecting different incompatible media. He is especially curious about the effects his work elicits in the viewer:
How does our perception operate? Which new perspectives appear?

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